Molly Crabapple
Najva Sol
/Impossible Couture
An Art/Photo Collaboration
Artwork by Molly Crabapple
Photography by Najva Sol
I had a conversation recently with a friend on the subject of imagination. She made a great point, that we're encouraged to have lively, vivid imaginations while we're young, but once we hit adulthood, we're taught that fantasy is wrong, as though we run the risk of confusing the real with the dreamed. We're forced to become literalists. Our fantasies and imagination, which were once encouraged, become taboo.

That's a shame. We should feel free to play and imagine, to explore the unreal, the surreal, and the fantastical. I'm one of these socialized adults - I've lost my own imagination, so I'm drawn to the imaginations of others. Edward Gorey, Franz von Bayros, and here, Molly Crabapple, who was interviewed in the last issue of FGT about her live-drawing events. Through their imaginations, these artists create new, endlessly interesting worlds.

In the spirit of fashion and imagination, artist Molly Crabapple and photographer Najva Sol have collaborated to create this collection of images for FilthyGorgeousThings. With beautiful nudes as her canvas, Molly drawn a truly impossible couture of birds and burlesque, coked-up piggie-voyeurs, and mermaids in repose.
- CV

How did you get the idea?
I've always had a fetishization/jealousy issue with high-end fashion mags (think Love, Lula). I got slavering in love with the fashion editorials, but, since I draw pictures rather than shoot them, I felt I could never take part in that enchanted world. "Impossible Couture" is my attempt to have my own fashion shoot, with ink in place of clothes.
I thought up the collaboration on a train to see Ron English in Beacon, twittered for a photographer, and then who but Najva should twitter me back. Her portfolio was so raw and sexy and energetic. We had to work together.

What were you thinking about while you worked on the photos?
I tried to reflect the composition of the photograph, as well as small details like a model's tattoos, so that my lines seemed like a natural outgrowth of the photography, while also drawing from my artistic vocabulary of coke-snorting piglets, swirling tentacles and sullen reverse mermaids.
- 02/01/2010



